During the period from the 1960s to the early 1980s, overlapping with his previous work “Traces of the Brush,” Fong showcased a multimodal approach in his creations. Utilizing techniques like ink-rendering and ink-splashing, he allowed ink and pigments to form shapes freely and unpredictably, emphasizing the interaction between conscious and unconscious elements in the creative process. This style bears similarities to Zhang Daqian’s splashed-ink landscapes. Fong’s artistic evolution, influenced by a Rockefeller Foundation grant and exposure to Western art, led him to explore new techniques and draw inspiration from Abstract Expressionists like Jackson Pollock and Mark Rothko. His works transitioned from traditional ink wash paintings to the use of natural mineral pigments and eventually to oils and acrylics on canvas, resulting in vibrant and dynamic compositions. Fong’s colors became increasingly vivid as his compositions simplified, marking his shift towards a modern artistic expression that laid the foundation for his later works.